Life doesn’t always…

go the way that you planned but if you stay open to opportunities…they WILL come!

Colors answer feeling in man; shapes answer thought; and motion answers will.

John Sterling

It’s a joy to be back behind the lens after a life induced hiatus.

The week-end was one of inspiration filled with photography from both air and ground level.

The company was perfection, the subject matter thrilling, and it put me right back in my zone.

Thank you for the support and patience…each and every one of you who take the time to check in and read, comment, or share my blog post.

On composition and snowboarding…

and how light affects them both.

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How the visual world appears is important to me. I’m always aware of the light. I’m always aware of what I would call the ‘deep composition.’ Photography in the field is a process of creation, of thought and technique. But ultimately, it’s an act of imaginatively seeing from within yourself.

Sam Abell

I’ve been thinking a lot about composition lately. I am going to use snowboarding here as an analogy to one of its components. Being winter in the Northwest I have encountered a lot of flat light which makes riding with your feet strapped onto a waxed board down a mountain just a little more challenging. Even when there is just a hint of light one can see the curves take shape and it becomes far easier to pick a line.

And so it is for photography; just that bit of light allows the eye to move through an image highlighting a curve here, marking a shadow there. When the light is not available composition takes on a different tone and I find myself relying more on a braille approach where I move around framing the shot using visual clues until it just feels right.

Years ago one of my mentors told me to learn the rules first, then break them. It didn’t make a whole lot of sense to me at first but it does get you into the habit of looking at the whole image instead of just whatever it is that you perceive to be the main subject.

Composition can be aided by so many factors: color, light, lines, vanishing points to name a few. It is an interesting process to look at other mediums in addition to photography and see what draws you in.

There is a lot of emphasis placed on finding your style and developing something that you become known for and I think that this spans across the different mediums, not just photography. Composition and how you see things can play a huge role in this.

January is a great time to look back on the year’s body of work and see what is working and what is not. Think back on those times when someone returns from a trip and you get invited to see the slide show or to look at the photographs and… there are hundreds of them. Nothing has been culled and more than likely, nothing has been edited. This for me is the quintessential difference in being a photographer and being someone who owns a camera.

It’s the start of a brand new year which makes it the perfect time to see where you are at and more importantly where you want to be.

One picture is worth a thousand words…is your voice being heard?

As I begin a new equine series…

I felt like I was looking into the souls of these beautiful horses.

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The soul that sees beauty may sometimes walk alone.

Johann Wolfgang von Goethe

I’ve been given an incredible opportunity to pursue a series that has long been on my mind…photographing horses. It’s one of those win-win situations where even if the reason why I am shooting this doesn’t pan out; I’ll still be fulfilling a personal dream.

Like many little girls, I was obsessed with horses and pretended that my mustang bicycle was the most wonderful, surefooted steed that ever was. I believe that I might still love to ride a bicycle today if I could once again conjure up those daydreams!

Today I was surrounded by the gentlest herd of horses that I have had the pleasure to meet. Their docility and expressions of affection were at first a little unnerving but quickly grew into one of those moments that I will remember with a smile.

They were an inquisitive lot, nibbling on my camera pack and at my hair. Each one wanting it to be their turn as I focused the lens on another. This was a preliminary shoot to get a feel for what might work for a series of monochromatic shots but for today I chose to leave this shot in color. It had a softness to it that just seemed to capture the mood and as I shot it I felt that little shiver of excitement that I get when my camera becomes my paintbrush.

When that happens I know that I’m on the right track and I can’t wait for the next session…

My name is Sheryl: I paint with my camera.