Painting by moonlight…

literally.

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I am always doing that which I cannot do, in order that I may learn how to do it.

Pablo Picasso

Light painting…those words today probably bring to mind the fabulous wakeboarding images shot by Patrick Rochon in conjunction with Redbull but did you know that the earliest light painting was photographed in 1889 by Georges Demeny and was titled “Pathological Walk From in Front?”

Then again, Picasso is also an artist that one wouldn’t necessarily equate with this form of painting but he was apparently intrigued after seeing the figure skaters shot by Gjon Mili and in 1949 collaborated with him during a Life magazine shoot. These images were later displayed in early 1950 at MOMA.

I find painting with light to be both energizing and soothing and while planning my shots for the eclipse last week I indulged in a little painting by moonlight. Usually I have at hand an assortment of torches and filters to use as my “brushes” but I thought that moon is looking pretty bright… why not!?

The shot of the day might have been if someone had been photographing me wildly waving my camera through the night sky while trying to keep track of my lines! Is this a work of art? Perhaps not but I liked its energy and just like last week’s eclipse, when social media was filled with cookie cutter images of large orange orbs, I again found pleasure in shooting the moon just a little bit differently.

Nothing is ever new but when almost everyone now carries a camera, at least a phone version, it becomes more difficult to create something that stands apart. Are you up for the challenge?

Additional images of light painting can be viewed by mousing over and clicking on the galleries idaho… after dark and idaho after dark lunar eclipse on this link to my website.

I find myself wishing that…

I had paid more attention in school instead of daydreaming.

Moonrise
Moonrise

For my part I know nothing with any certainty but the sight of the stars makes me dream.

Vincent Van Gogh

I photograph every day and I think that practice not only keeps my creativity at a good level but it creates opportunities for further exploration of things that I might not have otherwise searched out.

Unless you are a studio based photographer you have to just deal with whatever is thrown your way for light and weather and find a way to make it work. If it is harsh bright sunlight, I might decide to do a long exposure over water with a neutral density filter or I might do a little infrared. Cloudy darker days are good for double exposures. Sometimes you can keep notes and revisit sites when conditions are perfect for the type of shot that you imagine, but that’s not always possible. It’s nice to have options and know how to dial in your settings to shoot under those conditions.

I have dabbled on and off with night photography usually when the day has gotten away from me and the last vestiges of good light have faded. I am finding it to be a whole other world filled with wonderful visual opportunities dependent on moon phases, cloud cover, and light pollution. Knowing how to capture the night sky though has led me into another crash course that I am just now starting to understand. The digital cameras of today, when manually programmed, capture this quite readily and if you’re shooting RAW instead of JPEG you really have quite a bit of freedom when it comes to editing. Like anything else though the key is practice, practice, practice. There is a wealth of information online that provides more specific information on gear, settings, and editing.

I think if I had been inspired more in school I might have paid more attention to learning about math which would have come in awfully handy now! It’s never too late though and I have immersed myself in things like azimuth and elevation calculations…and there are things called intervalometers that are built into cameras or they can be attached to them so that you can capture star trails. Who knew?! There’s one in the Nikon D7000 and I will be using it more!

Today’s shot was one taken in the early morning hours, just seeing what results I could get from different settings. As the moon began to clear the trees I noticed first that aura of light appearing. This was not the shot I was going for but I did in the end like the effect that it created and using that opportunity gave me more information to file away for future shots.

Take an opportunity to shoot under conditions that are unfamiliar to you. You might just get inspired!