Shot from the heart…

as expected, in black and white.

Fourth of July
Fourth of July

“I’ve been forty years discovering that the Queen of all colors is black.”

Henri Matisse

I did warn you in last week’s post. What can I say? I love the clarity that comes with black and white. While others are anticipating a riot of colors bursting into the night sky I see a hazy red blur that is much better defined without the color.

I do love an opportunity to shoot fireworks. There is such an element of surprise as to what you might see. Each time I do it I find myself more relaxed and able to take in the show at the same time as I am photographing it. I was even able to ignore the popping of flashes behind me with hardly an eye-roll as the other spectators  attempted to capture this on various flash equipped devices.

I found this to be almost meditative too as I calculated how long to leave the shutter open and envisioned what elements I was building into each frame. Would it be one singular explosion or a longer shot enveloping multiple explosions?!

Fourth of July

Fourth of July

For those disappointed by these black and white images I offer this as an opportunity to imagine all the colors of the rainbow. Whatever colors your heart may desire…and a happy independence day America!

What’s in your bag…

that you can’t live without?

Fourth of July Fireworks
“fireworks light up the sky and water in Bayview, Idaho on the Fourth of July”

What makes photography a strange invention is that its primary raw materials are light and time.

John Berger

I know it’s not the Fourth of July but scrolling through some images this week got me thinking about some favorite things that I lug around with me on a daily basis in addition to my camera and an assortment of lenses. In my northern clime, fireworks displays and light parades do occur with some regularity on the mountain to celebrate winter and being prepared for these kinds of scenarios is a good thing!

Some of these things may seem pretty obvious but they still bear mentioning…extra cards and extra (fully charged) batteries for your camera, flash, remote trigger, and flashlights. I do a lot of shooting in very cold temperatures and that does tend to use the batteries up more quickly.

I couldn’t live without my tripod and the quick release plate is always attached to my camera. Sure you can hunt around and maybe find something to set your camera on to steady it but chances are it will not be found exactly where you need it to be in order to frame your shot. I love doing long exposures and night photography and for those, a tripod is indispensable!

A sweet little item that resides permanently attached to my camera strap is an ML-L3 remote that triggers the shutter from the front, up to a distance of about 16 feet. I love this little tool and it has been used A LOT!

In the lighting department I carry a speedlight flash and a ring flash which I use primarily for macro shots like the snowflake from last week. I have a Buglit LED micro whose nifty legs can attach to my tripod so that I can find my way back to it at night, a squeeze light in red in case I want to retain my night vision, and a Surefire E2 executive flashlight just in case the urge to light paint strikes! While on the topic of light, have you ever tried to look at your LCD screen in bright daylight only to find it next to impossible to see? A lovely little fix for that is the Hoodman loupe. Mine hangs on a lanyard and if I need to see detail on the LCD screen I simply place it against the screen and it blocks out the light showing me my image in far greater detail. It’s a little pricey but I do love it.

Finally in my everyday gear I make sure that I have lens cleaning equipment, filters, and hoods for the lenses that I have with me and last but not least…a rectangular piece of black cardboard. Huh…a piece of cardboard? Oh yes…

A few words about today’s image. This fireworks shot was taken with my D7000 and a 35mm lens, the settings were f16, 22 sec, ISO 100 and because I shoot in RAW format I was able to lighten up the shadows in the foreground in Lightroom and expose the lights reflecting on the boats. This was not a composite shot… remember the piece of cardboard?  I was able to capture multiple explosions by placing the black cardboard in front of my lens and selectively removing it as each firework was shot.

I would love to hear what’s in your gear, especially those small odd items that can make all the difference in a shot.