One really big reason…

to follow your passion.

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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.

Dorothea Lange

This blog post is number one hundred which for me feels like I’m just hitting my stride. For almost two years now I have been taking the time to look and think about one image and the process has been an interesting one for me.

I write a lot about passion and creativity and how to keep that flowing when so much in life can act as a roadblock.

I don’t often feel the need to write about the technical aspects of photography; you can already find enough about that online to keep you reading for a lifetime. The question that I’m asked about most is how to build creativity. My own experience would tell me that if you’re bored with or stagnant in your medium it might not be the right one for you.

The challenge as I see it lies in developing a creative zone that extends far beyond the reach of a camera. It’s rather like shovelling the sidewalk during a winter storm; doing it once is not enough. Steady, continuous work is needed to keep that path open.

Just like muscle memory that is developed while practicing a sport, you can develop a rhythm with your camera that allows you to focus on the subject matter if you make it a part of your daily routine.

Developing a rhythm is the first step towards developing a style. Choosing subject matter that inspires you makes it easier to pick up that camera on a daily basis.

For example, on my canine shoots I will go in knowing the feel that I want for the images but I will try not to have any preconceived ideas on how I will get that. Structure to me is the death of creativity. I know that this approach works for me because the instant that I start moving around and shooting I am in the zone and it doesn’t really matter if I’m photographing a dog, piece of sky, or a snowflake.

All of this doesn’t just happen though, it takes practice and a first important step is being comfortable with your equipment so that you can focus on the creative aspect.

Today’s image is of subject matter near and dear to my heart…dogs. During the past few weeks I have had the absolute pleasure of photographing several groups of dogs, in various life stages. The energy, connections with their owners, and sheer joy these animals showed was incredible.

Will my style of shooting appeal to everyone? Nope, there are those that would prefer a backdrop and a stiff dog with every hair sharply in focus. I wouldn’t be happy and in my zone capturing that type of image but there’s room for all types.

Once you figure out the answer to this question “I like to shoot images that are…” it helps to define that creative zone and allows you to build on it.

If you’re completely stuck answering that question spend some time looking at all mediums; online, at museums or galleries, and see what you are drawn to. Think about how you can infuse that feeling into your medium of choice. I’m not talking about copying, I’m talking about putting yourself into the medium, there’s a big difference.

Love to hear your experiences on developing creativity. What has worked for you?

Thank you to all who follow this blog, I so appreciate it.

And thank you to Earl, how gorgeous is he?

Rain soaked…

and searching for moments.

dsc_2282-editIt is not enough to photograph the obviously picturesque.

Dorothea Lange

This quote really resonated with me. I think we are inundated with beautiful images and while I can appreciate that beauty, it takes far more than saturation to make me want to look twice or even remember that image.

We have had one of the rainiest months on record and it has taken some doing to watch for moments that isolate themselves from utter grayscapes.

Even the clouds have not been cooperative deigning only to show solid overcoats of smooth gray until this morning…

I am reminded of a book I’m reading whose main character is a photographer. She goes out to shoot a sunrise and takes 400 images. Unless you’re doing a startrail, timelapse, or shooting a burst for an action shot I can’t imagine why a person would want to take that many images of a single subject and then have to search through those later for the image that captures it. I would feel like I wasn’t really being present in that moment and looking beyond the obviously picturesque.

My question is just because it’s digital does that mean that we should be less thoughtful about the shots that we take? Would your photography improve if you treated it more like film?