Painting is a blind man’s profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.
I can’t believe that there was a time when I was petrified of the dark. Like anything though you can always find ways to work your way through those fears.
I do get some pitying looks sometimes as I show up after the sun has sunk below the horizon and I begin to set up my tripod. Oh, you should have seen it 10 minutes ago! You missed it…
For me though the timing is perfect. I can still see enough of the landscape to decide on my composition and settle in to wait for that black canvas to reveal itself.
This is the time for rock steady tripods and long exposures that can gather the light. In a way it is more like shooting film. It’s more contemplative and I walk away with only a handful of shots due to the set up times and length of exposures.
On this night I had the pleasure of some company, a neighbor who shares in the joy and wonderment of looking at the night sky. I like those nights because it does free me from being as vigilant as I am when out shooting by myself.
One does have to be cautious when out at night and keep a close watch on their immediate surroundings. I always make sure to take frequent breaks to look around and listen for predators…four-legged and two! Close at hand I carry multiple flashlights, cell phone, and bear spray.
I like to light paint into these scenes using a torch with colored filters. Pablo Picasso painted with light in 1949 using a small electric light.
I waited for Mars to move into my shot on the left and gently painted the reeds with light. It’s an interesting feeling. Much more like you are actually directing the shot rather than simply documenting it.
Combine that with the sounds of nature and it becomes pure magic…So what I once feared has become one of my favorite times.
Step out of your comfort zone and you just might discover a new passion.